system2 ready their debut album on skint – described as a musical twelve tracker exemplary of their eclectic production abilities.

the extraordinary prolongation of sound jerked polly’s pretty head away from her work at the calibration machine. today’s jobs had seen her at her thorough and meticulous best but as afternoon melted easily into evening, these latest reverberations meant she’d no longer be able to focus to the level required. her boss had just dropped the bomb. as her ear drums filtered the noise, the technician’s bright mind was flooded with delight, her eyes no longer felt dry and tight with concentration, she was caught riding the crest of a massive wave of admiration. sitting her specs on the desk and pushing herself off the comfortable heat of her work stool, miss filla let the soundwaves pull her to her feet and carry her off to the main source of the captivating music. in honour of dixon avenue basement jams spending four years at the forefront of the global electronic music scene a new release was planned to shake the foundation to the very core. techno wizard big miz had been charged with delivering the goods and by the gods, the glaswegian had cracked it! he’d created, not just new tunes, but a whole new fucking genre. polly could feel the vibrations pulsating through every part of her curvaceous body as she sashayed along to the seductive beat.

velcro city records is proud to present future forward. a compilation of sexy and sultry tunes imbued with the timeless sound of disco, french touch, house, and an all-around feel good groove. this painstakingly curated selection of songs, all exclusive and never released before, are sure to set your hips to swaying and feet to stomping. a true party pleaser. as always, be kind, rewind. vcr.
the limited vinyl release includes a download code.

donny benet. you know the name by now. man of the people. wielder of synths. virtuosic in style, both aural and visual. sydneys undisputed master of conduction through seduction. the man has an almost otherworldly control over his music and his crowd. one slap of the bass and the world melts at his feet. one outrageous synth solo after the other and the competition falls around him. donny benét makes you sweat. donny benét brings the heat. we are unbelievably honoured to have donny benet make his plastic world debut with working out, a pulsating ode to the things in life that get you perspiring

both anil aras and slapfunk records got raised in the middle of the netherlands in utrecht, we managed to come to some amazing places with our music but we will never forget were we came from, utrecht is in our blood and this release is a tribute to the place we will always love. four tracks ready to shake the ground under your feet, with a breaky remix by malin genie.

tom burford aka contours, throws a deeply percussive and jazz focused ep for bristol’s shall not fade, featuring soulful, melodic productions with earthy percussion throughout. the ep is topped off with a remix from breakthrough artist ross from friends, whose luscious chords and melodies shine through.

it is with pride that we embark lauhaus on the mfd ship for the 4th release, for a truly immersive eargasmic plate of vinyl! he has taken us, and many heads already through some intense dance floor moments with these crafty cuts that will no doubt keep feet and souls activated. do check the inner writings on the vinyl for some surprise dub action

san diego’s own the sure fire soul ensemble is back with their sophomore lp on colemine records! cinematic soul is the order of the day from this west coast group. covering a lot of soulful territory here: deep funk, soul jazz, breakbeats, and more!

nice price deal !!! piemont starts the new year with another amazing release on their own label plumbum! >excuse me ep< is a great two tracker without any remixes as these tracks are special and strong enough to stand on their own. on the a side you find >excuse me< which gets you to a unknown place in a typical piemont style. a style, which can also be safely named experimental. playful drumming combined with trippy vocals refines the whole musical journey. on the b side >foot massage< gets your feet moving from the very beginning no matter whether you are on the streets of new york with headphones or in the club. definitely somewhere where hip hop feels at home. somehow the beat and the vocals remind of >music< by the mighty run dmc... you can only love the old school vocals and the spacy break – thank you, guys! another genious release!

if anything, stojche’s take on detroit inspired techno rarely requires your permission for engagement. the fifth installment of his own label, tangible assets, is no different. this singular producer always manages to conjure up otherworldly atmospheres that resonate from head to feet. with that said, we could spend the next three paragraphs throwing around adjectives and splashing colorful words all over this press release regarding his sound, the aesthetic within each track in this release, and we could even volunteer a side helping of words that somehow make sense of this young producers studio ability. one thing however is for certain. tang005’s true charm lies in its ability to capture an honesty and sincerity that’s as captivating as it is transcendent. there’s a clinical yet organic approach that stojche adopts time and time again in formulating his tangible asset releases, and if anything, tang005 should provide further evidence of his depth, maturity and innate ability to create enchantment. this record is wrapped in captivating moments born from flourishing stabs, twilight synths, rolling charges of calculated manic rhythms and subatomic motions living within a range of intricately programmed beats. add to that a host of cinematic sweeps that develop into harmonic clouds of melancholy and you’re one step closer to the true romance etched within the grooves of this record. once again, stojche has created an ep that catalyses imagination. a series of intense voyages with thoughtfully considered moments and movements that have been executed by a man well in tune with his craft.

aw shit..second release on tresen, same orchestration as last time. kombo is zk bucket and c. comberti, s.oz. is bucket and sode. 5 optimistic tracks from the bottom of the house, produced at no drama studio. sun is shining, weather… sweet make move dancing feet

schwarzes doppel-vinyl im klappcover, downloadcode inklusive.
die entstehung von “and the anonymous nobody” hat einige jahre gedauert. es war der wunsch der band ein sample-basiertes album aufzunehmen im stile von “3 feet high and rising”. um zum ziel zu gelangen, nahmen de la soul über 300 stunden musik in den verschiedensten stilen auf - von bossa nova über soul, hiphop, funk, disco bis zu reggae - und erschufen so ihr eigenes arsenal an instrumental-alben, aus denen sie samplen konnten.
ein weiteres wichtiges merkmal von “and the anonymous nobody” sind die zahlreichen gast-feature, die dem album noch mal eine enorme vielschichtigkeit geben. die liste der gastmusiker auf “and the anonymous nobody” ist entsprechend illuster wie spannend: damon albarn, david byrne, snoop dogg, usher, 2chainz, pete rock, justin hawkins, jill scott, estelle und roc marciano - sie alle leisten ihren beitrag zum neuen album von de la soul.

cryptic waves from the cyberspace: nicola kazimir is back on croisière musique with his « early symptoms of the cyberspace-youth 2.0 ep ». includes a proper remix by barbir on b2. croisière musique has emerged from paris in early 2014, founded by rx and françois halard. * croisière* evokes the experience of getting lost in the music, night or day, from our frenetic feet moves on the floor to the deepest melancholy of our mind. croisière musique collaborates with young artists from various countries who form the new scene of electronic music, who make music with a distinctive look and care, a music which triggers emotions from special grooves

the ep entitled deceased unknown, a seemingly morbid piece of art (art/music) but look a little deeper! this ep sees b12 pick up the pace from their previous firescope release brokenunbroken “coduktor” an organ plays some subtle chords behind this track while beautiful drums skip along on top, to create a sonic backdrop for the very quirky melodies and top lines that constantly evolve and interpolate. a spiritual experience ? “dont look down” 808 and 909 drum and pads always a killer combination add to this an odd malformed bass line which never really reveals quite what it is doing makes for a pretty interesting track. don’t look down where is the question “blue and green capsule” a pumping kick drum sets the pace for this track which builds up using classic b12 style drums. the swirling pads and sliding melodies interlaced make this track reminiscent of “epillion” as featured on the classic b12 album “time tourist” on warp records in 1996. a track you can move your feet as well as your head to “minor decay” brain decay , world decay , urban decay , human decay , music decay, unavoidable decay - a simple straightforward techno track using its simplicity to conjure up feelings of sadness and thoughtfulness as well as joy and hope. a new hope finished in glorious red with black splatter vinyl with exclusive artwork by sarah sparkes

two original tracks and two edits from detroit s up-and-coming talent: val g. her youthful fresh style shows she s learning to stand on her own two feet behind gear that s been around decades longer than she has.

he small town boys are back again with an ep full of lovely music straining your feet. synths ran hot, beer cooled down, old school became new school surrounded by tons of deep atmospheres. they put it all together on these four tracks taking you on a journey from the heart of the town around the world. get on your feet!

cynic return after a years heitus with a couple tracks from label boss felix dickinson. meat and potatoes by mr.dickinson and additional noodles from robin lee. acidic dance music for your feet.

played by neuman (maddisco edits), eddie c
emotional especial comes together with future nuggets for a -special- one-off collaboration. reinterpreting the music of steaua de mare are four remixes from rising (eastern) stars khidja and mehmet aslan. the first in a short series of especial -specials- - where new artists are brought together for unique releases - we start by teaming up with future nuggets to present again the sonic offshoot in the unique band, steaua de mare. returning in remix form, songs from their self-titled album, as well as extra additions, are specially reworked. first khidja take album track babadag to new psychedelic depths, adding multiple layers of guitar and synths, all inexhaustibly dubbed and re-dubbed until a whole new track emerges for the more discerning minds. next mehmet aslan is focused on the dance-floor, carefully reconstructing new track shop into a club orientated groove, aiming straight at the feet with inevitable results. on the flip, mehmet then reworks album highlight, doamne ce greseala am, amassing tension in careful, subtle ways, crafting a version that is a proper meeting of hearts and minds. to finish, khidja return to remix the previously unreleased 1 septembrie. going to great lengths in managing a myriad of details, with balearic, kraut, pseudo-disco and exotica reverberations all pulsating, here then are on point examples of remix manipulation. a perfect way to start this series and showcase these wonderful artists.

kevin saunderson, a driving force behind detroits rich musical heritage and lauded innovator of techno, returns to his own kms records to deliver another unstoppable club weapon under his e-dancer moniker - one nation. one nation begins its 6 minute journey with signature saunderson percussion and a pounding 4/4 flow that oozes peak-time energy. an eerie and funk tinged synth fills the space with an intoxicating refrain to keep feet stomping, which later trades centre-stage for a heavy and evolving bass line as the track continues on its path of ebbs and flows. this heater aptly demonstrates why kevin saunderson it still one of the hottest names in dance music. as suited for sweaty basements as it is festival main stages, one nation will surely feature in the bags of techno heavyweights for months to come.

nice price deal !!! the corestyle story continues... with forsaken is dead (known from his waking the tyrants device ep on corestyle last year, besides his various other productions for labels like meta4, industrial strength, six feet underground or hard kryptic) and cap (hard kryptic) we have two of the az hardcore junkies here. the a-side is represented by cap and starts with the title track this is not a war, a hard industrial uptempo pounder which is yet still atmospheric. the b-side offers 2 collaborations between cap and forsaken is dead. repeating patterns is rather techno-influenced whereas the second track, pulling strings (forsaken is dead remix) starts with a mystic intro and turns into a grooving and driving monster.

nice price deal !!! 2nd ep on tony thomas telepathy label comes from greek techno pioneer savvas georgiadis (aka dj savage, novatek and more). he mixes up function and soul for 3 tracks that move your feet and touch your heart.

limited 10 years because music edition, double lp in gatefold sleeve including cd.
justice, whos name the world (well at least that part of the world that loves to dance) chants with emotion and whose first album is awaited with bated breath ever since the french duo revolutionised dancefloors with two radically different hits. it comes as no surprise that «†», the first album by justice, is a fantastic treat for the ears and for the feet. a kind of musical opera marked with religious and baroque symbols, where the melodies are ripped to shreds by the beats, where electro teaches rock a lesson and where pop gets a botox injection.

nice price deal !!! son of the electric ghost is living up to his name and releases broken and electrofied ghost onto our ears and feet.

farr has a diverse catalogue, with three well-received releases on turbo as well as records with dsnt, leisure system and power vacuum. few producers can claim to have remixed tiga and been remixed by truss.
though farr has an extensive history with bloc., this will be his first outing on the label, a release that incorporates sounds that both bloc and joe are famed for.
the first track, “rpm” features prominently in the bloc festival trailer and is the soundtrack to the 2016 weekender. hissing high hats and an atmospheric baseline quickly develop into an explosive anthem designed to get feet moving. “rolling and thatching” conveys an immediate punch of 90’s acid, followed by techno heavy “workout three” with crunching beats and an unremitting delivery worthy of the berghain dance floor.

a career-spanning retrospective, featuring 28 johnny cash classics. remastered from the original sources and delivered on double 12 inch vinyl.

for the second elastique music release we could win great artists over to our label. daniel madlung takes it to the next level with an energetic and minimalistic track, which nearly seems to explode. the tunes on the b-side, one by christopher lawrenz and one by nicola koch will certainly move your feet. you’ll definitely cut the rug to these tunes.

play label records notches up release number 11 in style with their first house offering of the summer. it comes in the form of a maxi various artists release featuring four cuts of compelling house music that is both fresh and exciting from flabaire, dka, martin patino and anthony georges patrice. this is a truly sun kissed and breezy house package that will get everyone up on their feet and shaking their limbs.

that night, we answered a regular call, something about crazy loud noises coming out from a basement. while driving to the area all i could think when i first heard the bass stomping was: “man, whatever, this doesn t even sound like music to me.” and we were at least a 100 meter away from the source of the sound. when we got there, after knocking several times on the door, we decided we had more than enough probable causes to bust in. after a warning, we kicked the door open. what we saw inside was a five feet tall woman jumping around in that cacophony. we screamed and she ignored us, my colleague then panicked and shot her with his taser several times – she then simply pulled the probes out of her body shouting moments moments – and continued to jump around..

neon finger rises. the new go! finger vinyl imprint, focused on synth-funk, boogie, hip hop, electro-funk and other freaky rythms, debuts with the new album by dj overdose -techno hop-. where the prolific artist from the haghe exhibits eight new outstanding tracks filled with classy electro-funk and the freshest hip hop manners. a sublime, intense and astonising piece of music, remarkable as an example of the finest electronic nowadays. rad!

piramide registrazioni delivers music aiming to keep a solid sound integrity and coherence throughout time, yet not depending on a determined style. for its debut release piramide crew drops an hypnotic 3 tracker which puts the audience into a spiral of spacey and gritty sounds.

2016 is shaping to be a fantastic year for rebirth records, the 10th year anniversary and the 100th release…to celebrate this special date the label owner shield and his right arm robytek get in the studio to collaborate with two of the most innovative figures of the end of 70s / early 80s. the a side is the the pyramids with isabelle antena, french singer and songwriter, founding member of electro-samba pioneers antena. in the 1990s she also led another group, the powaga sisters, for three albums between until 2004. alongside these projects she maintained a solo music career, selling over a million albums and earning musical acclaim across the globe. from camino del sol (1982) to bossa super nova (2010), her cool latin, bossa, jazz and funk vibes have delighted ears and feet worldwide. the pyramids is something really special, a cosmic and balearic song with a timeless meaning, with the collaboration of martin ditcham (sade s percussionist) for the drum and paolo mantini, a real italian talent, for the bass and chords. the aa side is now, a collaboration with salvatore principato (sal p.) and dennis young, known as the vocalist and marimba/percussionist of (for the legendary early 80 s nyc band liquid liquid) seminal nyc minimalist-funk band liquid liquid. the experimental sounding band emerged from new york city s vibrant downtown scene in 1981, developing their own unique sound which they called big beat, a fusion of irresistible basslines, junkyard percussion and urgent, free-flowing lyrics. the group s successes included club hits such as cavern (sampled by grandmaster flash in the making of white lines), bellhead and optimo in addition to sold-out concerts worldwide. sal p and dennis still explore today new ways of writing & performing music. now is the experimental way to combine the live drums played by snacks (the berlin based duo rene corbett & aljoscha babel), with the electronic world and the unique musical textures from sal p and dennis young.

mixing abstract hip-hop and house, blutch s style is mind-blowing and striking, with touches of groove and heat. borrowing from pépé bradock, francis inferno orchestra,cuthead, andrés, shigeto and massive attack, blutch has forged a unique musical identity all along his career, always with this strong desire to combine several universes into a single entity.
in january 2015 blutch revealed his creative genius with his first ep, equilibrium. he will soon revisit a voluptuous set mixing trip hop, the softness of electronica and a hypnotic deephouse. requilibrium unites 9 artists in one project that represents blutch’ diverse musical spectre. friends, idols, people who we loved to collaborate with, spend time with, get to know better. the r stands for the remix, the reinterpretation of blutch’ ep equilibrium. each artist gives new life to one of the tracks, spicing them up to their liking. cuthead transforms « skyview » in a straight-up house floor killer while maxime dangles takes « chocolates & hamburgers » to gloomy, cold electronic heights. between these two extremes the music gradually and cleverly evolves track by track. melodiesinfonie opens up in complete serenity with his take on « a. » which takes us straight into summer with our feet in the sand. tito wun follows up perfectly with his version of “wildstar” that is stacked with groovy samples. next up is keroué, member of the band fixpensill. he puts his rhymes on a stellar edit by ywnwa. jenovah choses to take “deep diving” on a bass-driven path while pavane sees and raises that with an orchestral version of anyoma. it’s up to the brothers ark & pit spector to close out the ep by taking « elis » into deeper territory.

from the jagged electro tinged “seattle city light”, through the drifting hazy levels of “blacked” and “pisces” to the kicked back paradise of “untitled monday”, rudolf serves up a masterclass in blissed out backyard house. undulating juno soundscapes and warbling 303s merge seamlessly with roughed up rhythms punched through the mpc. this one’s for the heads on the dusty trail, the midnight drive, and the pacific swells. those in the back seat with the window down and the feet up...

aimes brings everything good to this release from sun-kissed synths to chimes lapping around your dancing feet, this sort of post-disco can be found on “pleasure cruise-. on the flip, “acid dreaming” is an electro- futurist vision of the journey beyond consciousness to realms unknown. out on the tugboat edit spin-off star creature.

floating away on the melancholic synth and piano arrangement, whilst the straight yet subtle 808 house beat keeps your feet dancing on the line.

crazy the lord...the man, the woman, the myth, or just the name of this latest release from the outerzona ? consistent best-sellers, these little collections of secret weapons have made many friends out there on the floor no.5 is a continuous play cut 12 featuring four more underground gems super-charged gospel funk, alongside wigged-out filtered house minimalism keeps us on our feet on the a elsewhere a timeless jazz-house cut gets a timely revive, amping up and augmenting the jazz guts for some serious hot music as we wind down with a slo-mo afro-arpeggiator workout these are never around for long, so you know what to do

mojuba is proud to bring you sven weisemanns new ep called interlace jitter. packed with four new tracks delivering sven very own trademark sound! the title track is a pumping dancefloor jam, while sparkling will take you to poignant broken idm scapes. the flipside features motion capture a dj weapon causing both dancing feet and heartwarming feelings, its accompanied by a complementary beat version.

bass culture reach that magnificent milestone of 50 releases with an extra special ep from someone who has become part of labels inner circle, the infallible mr g. set up in 2009 by paris stalwart djulz, bass culture records has maintained a consistently high level of music, crossing from techno into house and back again, always with a focus on quality over quantity. mr g delivers two special gems from his arsenal of weaponary to mark the 50th bsss culture release. the first, * transient* sees mr g in contemplative mood, taking a studied approach with this deep, soulful cut. softened pads are drizzled over a punchy low end, with tough, crisp beats supporting a stirring vocal which urges everybody to get up on their feet. the nineties organ lick gives it an almost sorrowful feel, and those pads continue to takes us up to the skies. a beauty. on the flip, * crumple zone* goes straight for the jugular with a driving b-line, alarming stabs and finger-clicking percussion to get that head nodding. combined with garbled, hypnotic vocal clips, its a mesmerising, eyes down cut for the late night heads. towards the latter part of the track, a naughty riff comes in and adds another layer of sleaze to proceedings. and there you have it, mr g proves yet again why he is such a all-round don and bass culture celebrates 50 releases with panache.

nearly a year after his acclaimed debut ep, every inch of you, a musical project meant as an ode to the memory of a once great man, his grandfather, the enigmatic, rosas nievas, steps up to the plate with a sophomore outing for scissor and thread, going away soon on the a-side, the bombastic opener, wastes no time getting its feet moving with charged up percussion, guitar licks, and playful sampling with a clear ode to the likes of matthew herbert.

on a fishing trip two years ago, the two main guys behind africaine 808: d leyers and nomad - went to a tackle shop to buy some creepy crawlies (saltwater worms), not knowing that they were about to make a life changing discovery. in front of the shop a blind man was jammming on a little electronic organ, stomping his feet, singing, growling and basically making a scene. the boys were quite impressed with the fella, who introduced himself as blind double d . they offered to bring him home and record him. he turned the offer down, but offered instead that they could record him on the spot in front of the tackle shop - if they bought him a bottle of good bourbon. he explained that he would never set foot into a studio again in his life: he was sick of music production and the music industry in general, and that he just wanted this bottle of bourbon and to be left alone. the boys got him the bottle, and recorded blind d.d. on the spot with a tape recorder they borrowed from the tackle shop. unfortunately, the tape was stored in one of the tackle boxes over the trip, and some of the creepy crawlies crawled into the tape and stank it all up. this added some extra funk to the recording. with dirk and nomad s usual studio trickery and production skills, they created the two versions of this very very funky, creepy, stanky track. we hope you ll enjoy it as much as we do.

a fine trip from house to jazz

the first release features two original tracks and one remix. back home in itself opens up with emotions and feelings of mysterious dark atmosphere that won t leave you indifferent as a listener or a dj. field of dreams is brimming with various textures that form strange feelings but at the same time delivering a clear message. the remix on side a sounds very precise and sophisticated. the minimalistic groove of the entire track forces your feet to move.

what happens when you take a track by a british power trio heavily influenced by blues and psychedelia, and get a master of wayward, left-of-centre balearica to remix it? that’s the premise behind claremont 56’s latest vinyl outing, which features magic feet recordings boss craig bratley delivering a pair of druggy, spaced-out interpretations of “better man”, one of the more laidback outings from fast-rising rock combo bella figura.

***** big support from raresh !
elliot sindall and oswaldo nicoletti are jäfar, a duo split between paris and london. their first record on fragil musique may be single sided, as so often with the label, but quality is not at stake. marzsia is an amazingly well produced dance trip. the broken drum line is playing around the loop, slightly messing with the heavy feet taping feel. meanwhile, the vocal and instrumental samples subtly come in and out, giving a depth and spirituality to the piece. the record comes with an engravement artwork on its b side and a debut collaboration with louise ernandez photographies for the cover artwork

since setting the tone at born electrics boiler room take over and releasing a widely acclaimed debut release on born electric, pedram s production has found its musical feet in unique ground, which his second ep on born electric firmly cements. the ep opens up with lex. a track which personifies what is gradually becoming pedram s signature sound, ethereal soundscapes, full bodied arpeggiated synths, off-kilter drum rhythms and full of electronic emotion

its a great pleasure to welcome back waze & odyssey to the label, since their first please dont dance ep on dirt crew wich was released in early 2013 and that featured an excellent detroit swindl remix botht duos have had a massive rise and impact on the underground house scene worldwide. waze & odyssey have also had killer releases on their own imprint w&o street tracks and with their latest on the downlow single they stormed the dancefloors and major radio playlists. waze & odyssey is best know for their straight up bangin’ house cutz and with these two tracks you get exactly that! go go go is a filterred house banger that takes us back to the early chicago and french house productions from the mid 90s. on the other side of this fine 10 the deeper and more electrofied we go home delivers some nasty breakdowns and with its manic pitched and ascending lead sound it should shake and stir your brain to get your feet moving for sure. pure dance floor action with these two new waze & odyssey tracks!

after the very first release by the romanian producer alex baciu, zefzeed is the protagonist of the second release with amazing hyperclub ep: a dreamy trip on deep vibrations and hypnotizing sounds still keeping your feet on the dancefloor. the ep starts with *hyperclub*, a catchy track with an obscillating groove and trippy chords. instead, the second track *dar stai putin* is a journey with elegant sounds towards warm dancefloor beats.

limited to 500 lp+download card. chief and deheb join forces to bring you leaf, a full-length instrumental album showcasing the seamless result of two deft beatmakers merging their individual signatures into a unified craft. both artists each have a long history in beat-making, chief and deheb have worked alongside but never together, and to share a task thats usually tackled by one seemed like a challenge and a new thrill to the two. the use of samples taken from original brazilian music in the two producers collections was the starting point for the creation of leaf

shanti celeste steps up with a full ep after her amazing strung up track from the recent future times compilation vibe 3. big tip! she uses the full a side for the killer being, a nasty dancelfoor cut that balances sleek, precision drum patterns with cool, showerdown melodies that haunt the feet and the mental. the b side starts off like a lost cbs slow burn cut with good spirits, an exercise in machine romance, and ends with an ambient mix of the a side, to drift off into space with. shanti is on.